Il programma del Festival di Venezia 2018

Il programma del prossimo Festival di Venezia ormai lo conoscete tutti, ma è doveroso sottolineare ancora quanto sia incredibile: forse sarà per quel numero “75” che segna davvero un grande anniversario per la mostra, o forse sarà perché per la terza volta consecutiva questo vostro amatissimo blog sarà presente al lido per commentarvi ogni notizia e film.

Battute a parte, è realmente uno delle migliori line-up di sempre per ogni festival. Leggiamola ancora, e voi vi daremo ogni commento possibile in diretta sul posto dal prossimo 29 agosto all’8 settembre.

 

CONCORSO 

“First Man,” Damien Chazelle (U.S.)
“The Mountain,” Rick Alverson (U.S.)
“Doubles Vies,” Olivier Assayas (France)
“The Sisters Brothers,” Jacques Audiard (France, Belgium, Romania, Spain)
“The Ballad of Buster Scruggs,” Ethan and Joel Coen (U.S.)
“Vox Lux,” Brady Corbet (U.S.)
“Roma,” Alfonso Cuaron (Mexico)
“22 July,” Paul Greengrass (Norway, Iceland)
“Suspiria,” Luca Guadagnino (Italy)
“Work Ohne Autor,” Florian Henkel Von Donnersmark (Germany)
“The Nightingale,” Jennifer Kent (Australia)
“The Favorite,” Yorgos Lanthimos (U.S.)
“Peterloo,” Mike Leigh (U.K., U.S.)
“Capri-Revolution,” Mario Martone (Italy, France)
“What You Gonna Do When The World’s On Fire?”, Roberto Minervini (Italy, U.S., France)
“Sunset,” Laszlo Nemes (Hungary, France)
“Freres Ennemis,” David Oelhoffen (France, Belgium)
“Neustro Tiempo,” Carlos Reygadas (Mexico, France, Germany, Denmark, Sweeden)
“At Eternity’s Gate,” Julian Schnabel (U.S., France)
“Acusada,” Gonzalo Tobal (Argentina, Mexico)
“Killing,” Shinya Tsukamoto (Japan)

 

FUORI CONCORSO, FICTION

“The Other Side Of The Wind,” Orson Welles (U.S.)
“They’ll Love Me When I’m Dead,” Morgan Neville (U.S.)
“My Brilliant Friend,” Saverio Costanzo (Italy, Belgium)
“Il Diario Di Angela – Noi Due Cineasti,” Yervant Gianikian (Italy)
“Una Storia Senza Nome,” Roberto Andò (Italy)
“Les Estivants,” Valeria Bruni Tedeschi (France, Italy)
“A Star Is Born,” Bradley Cooper (U.S.)
“Mi Obra Maestra,” Gaston Duprat (Argentina, Spain)
“A Tramway in Jerusalem,” Amos Gitai (Israel, France)
“Un Peuple et Son Roi,” Pierre Schoeller (France, Belgium)
“La Quietud,” Pablo Trapero (Argentina)
“Dragged Across Concrete,” S. Craig Zahler (U.S.)
“Shadow,” Zhang Yimou (China)

FUORI CONCORSO, DOCUMENTARI

“A Letter to a Friend In Gaza,” Amos Gitai (Israel)
“Aquarela,” Victor Kossakovsky (U.K., Germany)
“El Pepe, Una Vida Suprema,” Emir Kusturica (Argentina, Uruguay, Serbia)
“Process,” Sergei Loznitsa (The Netherlands)
“Carmine Street Guitars,” Ron Mann (Canada)
“Isis, Tomorrow. The Lost Souls Of Mosul,” Francesca Mannocchi, Alessio Romenzi (Italy)
“American Dharma,” Errol Morris (U.S., U.K.)
“Introduzione All’Oscuro,” Gaston Solnicki (Argentina, Austria)
“1938 Diversi,” Giorgio Treves (Italy)
“Your Face,” Tsai Ming-Liang (Chinese Taipei)
“Monrovia, Indiana,” Frederick Wiseman (U.S.)

 

ORIZZONTI

“Sulla Mia Pelle,” Alessio Cremonini (Italy)
“Manta Ray,” Phuttiphong Aroonpheng (Thailand, France, China)
“Soni,” Ivan Ayr (India)
“The River,” Emir Baigazin (Kazakistan, Poland, Norway)
“La Noche de 12 Anos,” Alvaro Brechner (Spain, Argentina, France)
“Deslembro,” Flavia Castro (Brasil, France, Qatar)
“The Announcement,” Mahmut Fazil Coskun (Turkey, Bulgaria)
“Un Giorno All’Improvviso,” Ciro D’Emilio (Italy)
“Charlie Says,” Mary Harron (U.S.)
“Amanda,” Mikhael Hers (France)
“The Day I Lost My Shadow,” Soudade Kaadan (Syria, Lebanon, France, Qatar)
“L’Enkas,” Sarah Marx (France)
“The Man Who Surprised Everyone,” Evgeniy Tsiganov, Natalya Kudryashowa (Russia, Estonia, France)
“Through The Holes,” Garin Nugroho (Indonesia, Australia)
“As I Lay Dying,” Mostafa Sayyari (Iran)
“La Profezia Dell’armadillo,” Emanuele Scaringi (Italy)
“Stripped,” Yaron Shani (Israel, Germany)
“Jinpa,” Pema Tseden (China)
“Tel Aviv on Fire,” Same Zoabi (Luxembourg, France, Israel, Belgium)